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In Alabama, even the rainy
summer days radiate. I remember the heat. I had on red swimming trunks, no shirt, and a whistle hung from round my neck. There were children in the pool. This sliver of detail I still find in dreams, this ordinary day my father had a heart attack. When he talks my father talks in stories, one building to another. He remembers street names, where houses used to be, where people used to live. When Arthur Shores’ house was bombed on Dynamite Hill, my father, home from college, was thrown by the blast from his living room window sill. When black veterans returned to Parker High School from the war, my grandfather, the football coach, once threw a boy with war-cold eyes into a locker because he needed reminding that seeing the dead had not made him a man. As a practicing attorney, my father saw a letter where a white businessman lamented the neighborhood’s “going black.” My father, a man who knows jazz is a gift from God, just like the stories of Aunt Lulu’s store in Anniston, Alabama, and knows that the creation of me lied in the telling of these stories, would be proud to know I’m still fashioning myself from the fragment she passed along, that I am each day improvising another piece of myself. Still, I forget more than I remember, grow weary some days of the pain. Then I hear the house filled with Miles or Coltrane, Sarah or Betty and I recall that a legacy is never a burden, only a gift. My father had his heart attack on a hot day while I sat by a clear blue pool of splashing children whose stories began with a yell and ended most often with a bullet. So much is lost on hot, August Alabama days And so much is gained.
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March 2026
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